The Institutional Mode of Representation is the dominant mode of film construction, which became apparent in 1914. This means that every sector of film production including camera work, editing and sound is formed produced in the same way as many other majority films.
The IMR is characterised by the attempt to make a completely exclusive fictional world on screen, in relation to imagination and how far it can go, an audience is 100% involved with what is occurring on screen.
- Films are constructed by a pattern of shots, with every individual shot providing the viewer with information of some kind.
- The film is perceived as an entire environment around the viewer, by uses of three dimensional effects with the use of lighting and editing
- Character psychology is key - camera techniques, such as close ups on faces of characters help the audience to sum up each characters intentions, involving themselves in the film and its understanding.
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